臺灣原住民族圖書資訊中心館藏介紹

"By analyzing the scrapbooks of Sylvester Long Lance, oral histories from Black Americans enslaved by American Indians, music of Jimi Hendrix, photos of contemporary Black Indians, and performances of former Miss Navajo Radmilla Cody, Cannon shows how Afro-Native people unsettle biological, political, and cultural metrics of racial authenticity""– Provided by publisher.

Introduction: Authenticating Narratives — 1. Rogue Self-Inscription: The Scrapbooks of Long Lance — 2. Navigating and Reshaping Authenticity: WPA Black Indian Slave Narratives — 3. Red, Black, and Blue: Jimi Hendrix’s Musical Self-Expression — 4. Shooting Lives: Black Indians as Photographers and Subjects — 5. Performing Race, Nation, and Self: The Life and Work of Radmilla Cody — Coda: ""Too Many Masters to Serve."

Opening Poem: "Who is the Black woman in Hawaii?" / by Kathryn Takara — Introduction: Hawaiʻi is my Haven — Over two centuries : the history of Black people in Hawaiʻi — "Saltwater Negroes" : Black locals, multiracialism, and expansive Blackness — "Less pressure" : Black transplants, settler colonialism, and a racial lens — Racism in Paradise : antiblack racism and resistance in Hawaiʻi — Embodying Kuleana : negotiating Black and Native positionality in Hawaiʻi.

(內容來源 : 國立臺灣大學圖書館)